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There was also an interesting point about the curse of having too much money. With no pressure from a publisher or from outside investors to ship, they were relatively free to keep blowing deadlines.


Commercial pressure can often produce better art.

Compare old Star Wars to new Star Wars.

Or The Matrix to its hypothetical sequels.


These examples might also be due to collaborative pressure.

On Star Wars, Lucas worked with a great editor who could say no to him. Same for script on Empire. For the Star Wars films 1-3 Lucas had total control over everything.


I guess I didn't put it very well. You're right.

Put another way: It's commercial pressure that made Lucas subject to collaboration. And it's subsequent commercial pressure that made collaborators subject to Lucas.




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